American photographer Andrew Moore (born 1957) is widely acclaimed for his photographic series, usually taken over many years, which record the effect of time on the natural and built landscape. These series include work made in Cuba, Russia, Bosnia, Times Square, Detroit, the High Plains, the American South and most recently, the Hudson Valley.

Moore’s photographs are held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, the Yale University Art Gallery, Museum of Fine Arts Houston, the Smithsonian American Art Museum, and the Library of Congress amongst many other institutions. He has received a fellowship from the John Simon Guggenheim Memorial Foundation in 2014, and has as well been award grants by the National Endowment for the Humanities, the New York State Council on the Arts, and the J M Kaplan Fund.

His most recent book, Blue Alabama, with a preface by Imani Perry and story by Madison Smartt Bell was released in the fall of 2019. His previous work on the lands and people along the 100th Meridian in the US, called Dirt Meridian, with a preface by Kent Haruf, was exhibited at the Joslyn Art Museum in Omaha. An earlier book, the bestselling Detroit Disassembled, included an essay by the late Poet Laureate Philip Levine. An exhibition of the same title opened at the Akron Museum of Art before also traveling to the Queens Museum of Art, the Grand Rapids Art Museum, and the National Building Museum in Washington, DC.

Moore’s other books include: Inside Havana (2002), Governors Island (2004) and Russia, Beyond Utopia (2005) and Cuba (2012. Additionally, his photographs have appeared in Art in America, Artnews, The Bitter Southerner, Harpers, National Geographic, New York Review of Books, The New York Times Magazine, The New Yorker, TIME, Vogue, Wired and World of Interiors.

Moore produced and photographed “How to Draw a Bunny,” a documentary feature film on Ray Johnson, who when he died in 1996 was called “New York’s most famous unknown artist”. The movie premiered at the 2002 Sundance Festival, where it won a Special Jury prize.

Mr. Moore was a lecturer on photography in the Visual Arts Program at Princeton University from 2001 to 2010. Presently he teaches a graduate seminar in the MFA Photography Video and Related Media program at the School of Visual Arts in New York City. He has been represented since 1994 by the Yancey Richardson Gallery in NYC where he will be showing his newest work from the Hudson Valley in the fall of 2023.